OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
摄影与双色木刻藏书票分屏纪念海报
Photography and Two-Color Woodcut Bookplate Split-Screen Commemorative Poster
将一张用户上传的照片单独排入 3:4 竖版双色分屏海报：上半保留照片，下半把主体提炼为留白充足的手工木刻藏书票，并仅在指定位置加入 EX LIBRIS 与铅笔编号。 | Turn one user-supplied photo into an individual 3:4 vertical two-part poster: preserve the photograph above and distill its subject into a spacious handmade woodcut bookplate below, with EX LIBRIS and a pencil editi
提示词 / Prompt
中文提示词
将一张用户上传的照片制作成一张独立的高级设计海报，采用 3:4 竖版构图。每张照片分别单独输出，不拼接多张照片。画面分为等高的上下两栏，各占 50%；中点分割作为精确版式目标。如上传照片中出现人物，仅将当前配置的固定面部参考图 ref-10a-v1 用作面部身份线索；它不能替代上传照片，也不代表该参考图描绘了来源作者或任何具名人物。 上半部分：保留上传照片的主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围。只做轻微精致的调色，使其具有艺术杂志、独立出版物或展览图像质感。只有为适配画幅时才自然延展环境背景；绝不拉伸、扭曲或改变主体。沿用照片原有取景，上半部分只显示照片本身，不加文字、边框或图形。像素级原样保留和数学上绝对精确的分栏尺寸取决于图像工具能力。 下半部分：从照片提取最具识别性的主体、轮廓、姿态和叙事关系，重构为印在极浅象牙白纸上的小尺寸方形木刻藏书票。不要复制照片，只保留主体关键外轮廓与姿态，以粗细不均的刻线和强烈黑白对比概括。版画中只出现主体与边框。构图遵循“小版画、大留白”：版画约占下半栏宽度的五分之二，位于略偏上方，纸张周围留出宽阔空白，版画下方留一条窄空白边。版画内部使用双线边框；主体偏向一侧，最有动势的部分向另一侧伸展。框内留白处只加少量短刻线，提示照片中实际存在的环境线索，例如雪、草叶或水波；不要凭空添加环境。 从照片中提取两种专色油墨：主体上最醒目的暖色（若主体没有明确暖色，则选取主体可见颜色中最暖的一种）和近黑的深炭灰。深炭灰用于轮廓与暗部，暖色只用于主体的一块大色块，并加入轻微套色错位。纸面接近白色，明度明显高于版画。呈现木刻与手工印刷质感：刻线粗细不均；大色块内部有细小刻除缺口和木纹痕迹；油墨略带颗粒与断线；边框四角带有手工套印不完全对齐的感觉。断墨和套色错位只发生在图形内部，边框线须清晰完整。 文字严格只有两处：版画边框上方居中排一行小型衬线英文“EX LIBRIS”；纸张底部空白处居中用铅笔手写版画编号，格式如“7/30”。其他位置不得出现任何文字、字母、数字、标志或记号。整体呈现真实摄影 × 木刻藏书票 × 小型收藏纪念物的视觉关系，安静、克制、精致。避免灰脏做旧、满版纹理、写实插画、复杂背景、多个竞争性视觉重点、商业广告文案和泛化的模板感。
English prompt
Create one independent high-end 3:4 vertical design poster from one user-supplied photograph. Do not combine multiple photos; render each supplied photo as its own poster. Divide the frame into upper and lower panels of equal height, 50% each, with the midpoint split as a precise layout target. If a person is visible in the supplied photo, use configured fixed face reference ref-10a-v1 only for facial identity cues; it does not replace the photo or imply that the reference depicts the source author or a named person. Upper panel: preserve the supplied photograph's subject identity, structure, posture, realistic texture, natural lighting and original color atmosphere. Apply only subtle, refined art-magazine / independent-publication / exhibition-image grading. Extend environmental background naturally only if needed to fit the frame; never stretch, distort or change the subject. Show only the photo in its original framing: no text, border or graphics in this panel. Exact pixel preservation and mathematically exact panel sizes depend on the image tool. Lower panel: distill the photo's most recognizable subject, outline, posture and narrative relationship into a small square woodcut bookplate printed on very light ivory paper. Do not reproduce the photograph; retain only its essential outer contour and posture, summarized with uneven carved lines and bold black-and-white contrast. Show only the subject and its border in the print. Follow a “small print, abundant negative space” composition: the print is about two-fifths the width of the lower panel, centered slightly above mid-height, with broad paper margins and a narrow blank strip below. Inside the print, use a double-line border. Place the subject toward one side and let its most dynamic feature extend toward the other. In empty areas, add only a few short carved marks suggesting environmental details actually present in the photo, such as snow, grass blades or water ripples; do not invent an environment. Sample two spot inks from the photo: its most noticeable warm color on the subject (or the warmest visible subject color if no clear warm hue is present) and near-black deep charcoal. Use charcoal for contours and shadows; use the warm ink only as a large subject color block. Add slight color misregistration. Keep the paper near-white and clearly brighter than the print. Render handmade woodcut and print texture: uneven carved strokes, tiny carved gaps and wood-grain traces inside large color areas, slight ink grain and broken marks, and handmade imperfect alignment at the four border corners. Broken ink and color misregistration stay inside the graphic; border lines remain clear against the paper. Text appears in exactly two places: small centered serif English “EX LIBRIS” above the print frame, and a centered handwritten pencil edition number in the paper's bottom blank area, in a format such as “7/30.” No other text, letters, numbers, logos or marks anywhere. The overall relationship is real photography × woodcut bookplate × small collectible keepsake: quiet, restrained and exquisite. Avoid dirty gray aging, full-page texture, realistic illustration, complex backgrounds, competing focal points, advertising copy and generic template styling.
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