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新中式细线设色古诗词插画海报

Neo-Chinese Fine-Line Color-Wash Illustration Poster of Classical Poetry

以古诗词原文为依据，将核心意象转化为新中式细线设色插画海报；默认示例为杨万里的《小池》，不增添原诗未提及的视觉元素。

新中式细线设色古诗词插画海报 — AI image creation
新中式细线设色古诗词插画海报

提示词 / Prompt

中文提示词

【古诗词】小池｜杨万里 【原诗（用于画面文字，须逐字照录）】泉眼无声惜细流，树阴照水爱晴柔。小荷才露尖尖角，早有蜻蜓立上头。 【核心场景】初夏小池：泉眼吐出细流，树荫映在水面，小荷刚露尖角，蜻蜓停在荷尖。 【关键意象】泉眼、细流、树阴、小荷尖角、蜻蜓 【视觉关系】树阴倒映水面；小荷从水中探出；蜻蜓立于荷尖。 【主色调】暖米白留白为主，辅以石青、石绿、黛青、朱砂、赭红与象牙白。 【画幅比例】9:16 依据所给古诗词及意象，创作一张新中式细线设色装饰插画海报，将诗中的景物、动作与情绪转化为清晰的东方视觉叙事。画面只呈现所给场景与意象，不凭空添加人物或其他诗中未提及的主体。 采用高位俯瞰、东方散点透视与现代平面构成；树冠呈柔软蓬松的云团状色块，边缘点染细腻粉末质感，枝条纤细连贯、墨黑清晰。若场景包含建筑，使用精细工笔线描、青绿瓦片、暖白墙面与朱红木结构。 植物、昆虫与其他诗词意象统一采用精细线描和平面设色，结构自然准确，主体之间的空间关系清楚。地面与水面以暖米白大面积留白表现，辅以少量墨色阴影与简洁细线。构图随诗意灵活变化，突出核心意象，主次清晰、疏密有序。 色彩采用石青、石绿、黛青、朱砂、赭红与象牙白等东方传统色系，设色饱满均匀、哑光干净，并保留轻微纸本质感。 将所给中文题名、作者与原诗作为唯一画面文字，准确逐字呈现，采用大幅暖白中文标题、小型纵排诗句、作者署名与少量朱印；不得改写、错字、漏字或添加无关文字。避免写实摄影、3D、动漫、浓重水墨、油画厚涂、复杂背景、过度颗粒与人工做旧。最终呈现精细插画质感、诗意留白与鲜明叙事。

English prompt

[Classical poem] A Small Pool | Yang Wanli [Exact Chinese title, author and original poem for the poster] 小池 | 杨万里: 泉眼无声惜细流，树阴照水爱晴柔。小荷才露尖尖角，早有蜻蜓立上头。 [English rendering for visual guidance only] The spring's quiet eye cherishes its slender stream; tree shade rests on the water, loving its gentle brightness. A small lotus has just shown its pointed tip; already a dragonfly stands upon it. [Core scene] An early-summer pool: a spring feeds a fine stream, tree shade reflects on the water, a young lotus tip emerges, and a dragonfly perches on it. [Key imagery] spring eye, slender stream, reflected tree shade, pointed lotus tip, dragonfly [Visual relationships] Tree shade is reflected on the water; the lotus tip rises from the pool; the dragonfly stands on the tip. [Main palette] Generous warm-ivory negative space with accents of azurite, malachite, indigo, cinnabar, ochre red and ivory. [Aspect ratio] 9:16 Create a new Chinese-style fine-line colored decorative illustration poster grounded in the supplied classical poem, turning its scenery, actions and mood into a clear visual narrative. Depict only the supplied scene and imagery; do not invent people or other subjects absent from the poem. Use a high-angle overlook, East Asian scattered-perspective composition and modern graphic design. Shape tree crowns as soft, cloud-like color masses with delicate powder-dotted edges and slender, continuous ink-black branches. If architecture is present in the supplied scene, render it with fine gongbi linework, blue-green tiles, warm-white walls and cinnabar-red wooden structures. Render plants, insects and other poem-specified imagery with unified fine linework and flat color, natural structure and clear spatial relationships. Show ground and water with generous warm ivory negative space, restrained ink shadows and simple fine lines. Adapt the composition to the poem, keeping the key imagery prominent and the visual hierarchy orderly. Use traditional East Asian colors such as azurite, malachite, indigo, cinnabar, ochre red and ivory; keep the color even, clean and matte, with a slight paper texture. The only lettering in the image must be the supplied Chinese title, author attribution and original poem, reproduced exactly: 小池 | 杨万里: 泉眼无声惜细流，树阴照水爱晴柔。小荷才露尖尖角，早有蜻蜓立上头。. Set a large warm-white Chinese title, small vertical poem lines, the author's signature and a few vermilion seals. Do not paraphrase, misspell, omit or add unrelated text. Avoid photorealism, 3D, anime, heavy ink wash, thick oil paint, cluttered backgrounds, excessive grain and artificial aging. The result should have refined illustration texture, poetic negative space and vivid visual storytelling.

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