OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
东方当代文化主题四风格系列海报板
Four-Style Poster Board on Contemporary Eastern Culture
一张2×2系列展示板包含四张各自完整的9:16竖版海报，共用同一四字中文主题、英文标题、展名、日期与场馆信息。四案分别采用水墨解构、现代展陈、东方矿物色巨字和黑底解构，传统素材与当代编辑设计结合，构图、字体、色彩、图像材料和信息组织明显不同。
提示词 / Prompt
中文提示词
设计一张系列展示板，包含同一东方当代文化展览的4张完整、可独立成立的9:16竖版海报。将四张竖幅海报整齐排成2×2网格；每个格子本身都是完整9:16设计，文字可读、层级清晰并保有独立边距。四张必须共用完全相同的中文主题清风明月、对应英文标题Clear Breeze, Bright Moon、展览名称东方视觉主题展 / Oriental Visual Theme Exhibition、日期日期待定 / Date TBD和场馆场馆待定 / Venue TBD。日期/场馆若为待定则原样保留，不得虚构细节。主题为适合大字书写的四个汉字。系列识别和少量东方文化线索保持一致，但构图、尺度、图像组织、字体、配色、材质和节奏必须明显不同。每张都应是经过完整艺术指导的作品，不能只是背景加标题。方向一——水墨解构：暖白宣纸、大面积留白、巨幅自由书法作为构图骨架，将古画碎片、水纹、山形、云气与墨迹作非对称拼贴。让书法与图像真实穿插、裁切、遮挡；加入少量现代中英文展览信息和少许朱砂印章。黑白灰为主，兼具实验艺术和现代编辑感。方向二——现代展陈：严格的当代美术馆网格、超尺度汉字、横向图像样本带和精密档案信息系统。像博物馆研究档案一样重新组织东方自然素材、古画细节、纹样、器物或摄影；使用克制的米白、深绿、青瓷灰绿、奶油黄，让巨字先成为几何构成，再被读作主题。方向三——东方矿物色巨字：以石青、石绿、赭金、灰蓝、米色构成近乎满版的山水色场；河流、云气、山体形成连续动势，叠加超尺度象牙白书法。汉字必须与山水发生真实穿插、遮挡和前后空间关系，不得像贴在背景上。方向四——黑底解构：深炭黑底色、巨大象牙白现代中文字体，将东方器物、山石、流云纹、古画剪影和连续曲线拼贴；加入克制几何框架、细线、展品注释和博物馆档案式信息系统。以炭黑、象牙白、青瓷灰绿、旧金为主，仅少量朱砂点缀。每张海报均建立同一三级层级：强烈主视觉或巨型主题文字；东方文化山水/器物/古画素材；中英文展名、日期、场馆和简洁说明。远看有清楚大形与焦点，近看可读出丰富图文关系和细节。真实处理文字与图像之间的穿插、遮挡、裁切、比例、留白、层级和阅读路径；不能偷懒或只换颜色。避免廉价国潮、古风游戏UI、旅游宣传风、普通山水画上直接加字、过度对称、满屏杂乱小元素、随机装饰、无意义英文、乱码、编号和四角星芒。不要其他人物、虚构展览信息、水印或UI。
English prompt
Design one presentation board containing a set of FOUR complete, standalone 9:16 vertical posters for the same Eastern contemporary-culture exhibition. Arrange the four portrait posters in a clean 2×2 grid; every tile is itself a complete 9:16 design with legible copy, clear hierarchy and its own margins. All four must share exactly the same Chinese theme 清风明月, corresponding English title Clear Breeze, Bright Moon, exhibition name 东方视觉主题展 / Oriental Visual Theme Exhibition, date 日期待定 / Date TBD and venue 场馆待定 / Venue TBD. Keep pending date/venue wording as supplied; never invent details. The shared theme text is four Chinese characters, suitable for large calligraphy. Preserve a recognizable series identity and a few consistent Eastern cultural cues, but make composition, scale, image organization, typography, palette, material and rhythm unmistakably different. Each poster must be a fully art-directed work, not a title on a background. DIRECTION 1 — INK DECONSTRUCTION: warm-white Xuan paper, generous negative space, giant free calligraphy as the compositional skeleton, asymmetrical collage with ancient-painting fragments, water ripples, mountain forms, clouds and ink marks. Interweave, crop and overlap calligraphy with imagery; add sparse modern Chinese/English exhibition details and a few cinnabar seals. Black, white and gray, experimental and editorial. DIRECTION 2 — MODERN EXHIBITION: strict contemporary museum grid, oversized Chinese type, horizontal image-sample strips and precise archival information system. Reorganize Eastern natural materials, ancient-painting details, patterns, artifacts or photographs like a museum research archive. Use restrained off-white, deep green, celadon gray-green and cream yellow; let giant type first read as geometry and then as the theme. DIRECTION 3 — EASTERN MINERAL-COLOR GIANT WORD: near-full-bleed landscape color field in stone blue, malachite green, ochre gold, gray-blue and beige. Rivers, clouds and mountains create continuous momentum beneath oversized ivory calligraphy. The characters must genuinely interweave with, occlude and pass in front of/behind landscape elements, never appear pasted on. DIRECTION 4 — BLACK-BACKGROUND DECONSTRUCTION: deep charcoal ground, giant ivory modern Chinese typography, Eastern artifacts, rocks, flowing-cloud motifs, ancient-painting silhouettes and continuous curves in collage. Add a restrained geometric frame, fine rules, exhibit annotations and a museum-archive information system. Use mostly charcoal, ivory, celadon gray-green and old gold with very sparse cinnabar. Give every poster the same three-level hierarchy: strong main image or giant theme; Eastern cultural landscape/artifact/painting materials; then Chinese/English exhibition name, date, venue and concise explanatory copy. Far away, each needs a clear large shape and focal point; close up, reveal rich text-image relationships and details. Ensure real overlap, cropping, scale, negative space, hierarchy and reading path; no shortcuts or color-only variants. Avoid cheap guochao, ancient-game UI, travel-promotion styling, ordinary landscape with text pasted on, excessive symmetry, cluttered micro-elements, random decoration, meaningless English, garbled text, numbering and four-pointed stars. No extra people, invented event details, watermark or UI.
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