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山海回响东亚文化展览海报
Echoes of Mountains and Seas: East Asian Cultural Exhibition Poster
东亚文化展览海报模板：以可配置主题和主体、四字中文标题、巨字压角与穿插关系、外围信息及艺术纸纹理构成有秩序张力的版式；默认9:16。
提示词 / Prompt
中文提示词
主题：青铜礼器与山海文化 四字中文标题：山海回响 英文标题：Echoes of Mountains and Seas 核心主体：轮廓清晰、带有克制山海纹样的完整青铜礼器 主体呈现方式：作为经过细致布光的博物馆器物呈现，浅浮雕纹样受到柔和侧掠光照亮 主题相关辅助视觉语言：从器物浮雕提取的细山脊线与流动水纹 主色：暖纸象牙白、古铜绿、墨褐与低饱和石灰灰 点缀色：克制的朱砂红 已核实的展览信息（如有）： 画幅比例：9:16（默认9:16） 创作一张成熟的东亚文化展览海报，采用压角构图与编辑式平面设计。让鲜明主体、巨大汉字、边缘信息、一套与主题相关的辅助元素和留白彼此咬合，形成丰富而有秩序的版式。主体完整、清晰且有视觉重量，约占画面45%–60%；呈现作为经过细致布光的博物馆器物呈现，浅浮雕纹样受到柔和侧掠光照亮，不得为了版式而扭曲或拆碎主体。 中文标题为山海回响，必须恰好由四个汉字组成。将四字分布于画面四边和角落，字号与间距不等。选1–2字作为主要压角元素，大幅放大并允许被画框局部裁切，其余文字以较小尺度呼应。将字形作为版式结构，让主体轮廓在字形前后穿插，形成可信的空间层次。 英文标题使用Echoes of Mountains and Seas。将标题及已提供且可核实的展览信息（）集中于2–3处边缘区域，混合横排、竖排、小字号与不同方向。未提供或无法核实的日期、机构及其他事实信息一律省略，不得编造。避免整齐的现代网格或均匀撒布文字。 只使用这一套与主题相关的辅助视觉语言：从器物浮雕提取的细山脊线与流动水纹。可重复、放大、裁切或淡化，但不得混入无关装饰系统。采用有文化出版质感的分层艺术纸、细腻纤维、微弱印刷颗粒、浅线描和少量手写注记。远看保持清晰，细节供近看发现；背景不得成为第二主体。 色彩限制为3–5种，以暖纸象牙白、古铜绿、墨褐与低饱和石灰灰为主，仅少量使用克制的朱砂红强调重点。背景、主体与巨大字形之间须有清晰的色彩关系，避免多种高饱和色互相争抢。严格保持阅读顺序：先看强主体与巨大压角字，再看主体和字形的遮挡、穿插与尺度关系，随后看英文标题及已核实的边缘信息，最后注意纸张纹理和辅助线描。整体应像成熟的东亚博物馆展览海报、艺术出版物或文化图录：信息丰富但不杂乱，具有“乱中有序”的视觉张力。即使去掉小字，画面也须构成完整作品。使用9:16画幅。避免难以辨认的伪文字、标志、水印、杂乱、随机碎片及与主题无关的装饰。
English prompt
Theme: Bronze ritual vessels and mountain-sea culture Four-character Chinese title: 山海回响 English title: Echoes of Mountains and Seas Core subject: a complete bronze ritual vessel with a clear silhouette and restrained mountain-sea motifs Subject presentation: presented as a carefully lit museum artifact, with relief patterns catching soft raking light Theme-linked auxiliary visual language: fine mountain ridgelines and flowing water contours derived from the vessel relief Main palette: warm paper ivory, aged bronze green, ink brown and muted stone gray Accent color: a restrained cinnabar red Verified exhibition information, if supplied: Aspect ratio: 9:16 (default 9:16) Create a mature East Asian cultural exhibition poster with corner-pressure composition and editorial graphic design. Interlock a strong visual subject, giant Chinese characters, peripheral information, one theme-linked auxiliary motif and negative space in a rich but orderly layout. Keep the subject complete, clear and visually weighty, occupying about 45%–60% of the frame; show presented as a carefully lit museum artifact, with relief patterns catching soft raking light without distorting or fragmenting it for layout. The Chinese title is 山海回响 and must contain exactly four Chinese characters. Distribute its characters across the four edges and corners, with unequal size and spacing. Enlarge 1–2 characters as dominant corner-pressure forms, partly cropped by the frame, and let the others respond at smaller scales. Treat glyphs as structural forms, interweaving subject contours in front of and behind them to create depth. Set the English title to Echoes of Mountains and Seas. Concentrate that title and any supplied, verifiable exhibition information () in 2–3 peripheral areas, mixing horizontal and vertical alignment, tiny type and varied orientation. Omit dates, institutions and other factual details that were not supplied or cannot be verified; never invent them. Avoid a neat modern grid or evenly scattered text. Use only this theme-linked auxiliary visual language: fine mountain ridgelines and flowing water contours derived from the vessel relief. It may repeat, enlarge, crop or fade, but do not mix unrelated decorative systems. Use layered cultural art paper, delicate fibers, subtle print grain, faint line work and a few small handwritten notes. Keep the background legible from a distance and detailed only on close inspection; it must not become a second subject. Limit the palette to 3–5 core colors led by warm paper ivory, aged bronze green, ink brown and muted stone gray, using a restrained cinnabar red sparingly for a key detail. Maintain clear relationships among background, subject and giant glyph colors; avoid competing high-saturation colors. Preserve this reading order: strong subject and giant corner-pressure characters; their occlusion, interleaving and scale; English title and verified peripheral information; then paper texture and auxiliary line work. The result should feel like a mature East Asian museum exhibition poster, art publication or cultural catalog: rich but uncluttered, with order-within-chaos tension. Even without small text, it must stand as a complete artwork. Use aspect ratio 9:16. Avoid illegible pseudo-text, logos, watermarks, clutter, random fragments or ornament unrelated to the theme.
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