OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
现代扁平几何中式大字海报
Modern Flat Geometric Chinese Typography Poster
以“风之研究”为代表性主题的现代扁平汉字海报：超大“风”字、朱红矩形、深钴蓝圆形、极端暖白留白与连续单线气流轮廓构成中下部非对称集群，并配左右分层文字和哑光数字印刷质感。
提示词 / Prompt
中文提示词
围绕代表性主题“风之研究”构建现代扁平图形，以超大汉字“风”为核心，结合几何色块与表达流动空气的单线有机轮廓，让柔性线条与刚性形体相互穿插。保持整体明亮、干净的背景区域，让大约三分之二或更多的空间保持空白，并将主要重心集中在一个偏离中心的集群中：一个饱和的主题主色矩形块首先建立一个稳定的平面；一个较深的、低亮度的、冷色调的圆形从其下方重叠并延伸出边界；核心的中式主题汉字以超大的、厚重的、几何形状的黑色笔画在白色背景、矩形和圆形上垂直推进，部分遮挡和裁剪创造出强烈的比例跳跃；在左侧，日期和双语副标题形成一个紧凑的数字列，而在右侧，设置在两个粗细层级的简短垂直句子平衡了重量；一些微型说明文字、短横线和线性符号散落在边缘，创造出从主体字符到边注再到细节的三层阅读节奏。将源自主题的动态关系抽象为一条连续的有机轮廓，画成一个宽阔的扫动回路，用一条清晰的、接近黑色的单线从大面积空白区域进入，穿过色块并跨越边缘；曲线多次与其自身相交，同时保持作为单一路径的可辨识性；保持其内部大部分为底层背景颜色，仅在尖端和延伸部分添加主题主色的局部、透明、淡出填充，使轻盈的线条与沉重的巨大字符产生张力。使配色方案适应主题：让干净、高亮度的中性背景占据最大面积；保持主题主色鲜艳且高度饱和，将其用于矩形和局部透明渐变；为圆形使用深色调的冷辅助色，在色相上与主色分离，并在末端柔和地融入主色；文字和轮廓使用接近黑色的颜色，极少量的浅色文字反白显示在主色块上；修正不等面积、亮度层级和饱和度差异，但不固定具体的颜色名称。将所有元素渲染为像哑光数字印刷一样的扁平表面，具有锋利的轮廓边缘，渐变仅作为两个局部的、缓慢羽化的过渡；不要添加维度阴影、纸张纹理或全局照明效果。字体保持低对比度、宽阔、厚重、近几何形状的黑色无衬线骨架；允许主字符的部分被拉伸、偏移、切割并在色块背景之间切换；给数字一个圆润的未来主义结构，并用狭窄的字母形式和松散的字间距压缩小文本。使用以下确定的新主题信息：巨字“风”；左侧数字列写“2026.09.13”及双语副标题“WIND STUDY / 风之研究”；右侧以两档字重竖排“风越边界”和“线生回响”；边缘微型说明写“FIELD NOTE 01”和“AIR / FORM / SPACE”。在最终结果中保留极端的留白、位于中下方的几何集群、横向和纵向文本之间的对立拉力，以及有机线条跨越僵硬几何形状的时刻，同时避免均匀填充每个部分或将轮廓简化为孤立的装饰。
English prompt
Build a modern flat graphic for the representative theme WIND STUDY, centered on the huge Chinese character “风”, geometric color blocks, and a single-line organic contour that expresses moving air while interlacing through the rigid forms. Keep an overall bright, clean background field, letting approximately two-thirds or more of the space remain empty, and concentrate the main weight in an off-center cluster: a saturated rectangular block in the theme's primary color first establishes a stable plane; a deeper, low-lightness, cool-toned circle overlaps from beneath it and extends beyond the boundary; the core Chinese theme character advances vertically in oversized, heavy, geometric black strokes across the white background, rectangle, and circle, with partial occlusion and cropping creating a strong scale jump; on the left, the date and a bilingual subtitle form a compact numeric column, while on the right, short vertical sentences set in two stroke-weight tiers balance the weight; a few miniature captions, short dashes, and linear symbols scatter along the edges, creating a three-level reading rhythm from main character to side notes to details. Abstract the dynamic relationship derived from the theme into one continuous organic contour, drawn as a broad sweeping loop with a clear, near-black single line that enters from the large empty field, passes through the color blocks, and crosses the edge; the curve intersects itself several times while remaining legible as a single path; keep most of its interior as the underlying background color, adding only localized, transparent, fading fills in the theme's primary color at the tips and extended sections, so the light line creates tension with the heavy giant character. Adapt the color scheme to the theme: let a clean, high-lightness neutral background carry the largest area; keep the theme's primary color vivid and highly saturated, using it for the rectangle and the localized transparent gradient; use a deep cool support color for the circle, separated in hue from the primary color and blending softly into the primary color at its end; use near-black for text and the contour, with a very small amount of light text reversed onto the primary color block; fix unequal areas, lightness hierarchy, and saturation differences, but do not fix specific color names. Render all elements as flat surfaces like matte digital printing, with sharp contour edges and gradients only as two localized, slowly feathered transitions; do not add dimensional shadows, paper grain, or global lighting effects. Keep typography in a low-contrast, broad, thick, near-geometric black sans-serif skeleton; allow the main character's parts to be elongated, offset, cut out, and switched between color-block backgrounds; give numbers a rounded futuristic structure and compress small text with narrow letterforms and loose tracking. Use the following exact new theme information: giant character “风”; left numeric column “2026.09.13” with bilingual subtitle “WIND STUDY / 风之研究”; right vertical sentences “风越边界” and “线生回响” in two weight tiers; and tiny edge captions “FIELD NOTE 01” and “AIR / FORM / SPACE”. Preserve in the final result the extreme whitespace, the geometric cluster positioned lower-center, the opposing pull between horizontal and vertical text, and the moment an organic line crosses rigid geometric shapes, while avoiding evenly filling every part or reducing the contour to an isolated decoration.
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