OpenZhenZhen AI 提示词画廊 · MiniMax H3 · video
男友视角·走出空画框的人
Boyfriend's View: The One Stepping Out of the Empty Frame
男友视角·走出空画框的人，使用同名原始提示词配对并提供中英文版本
提示词 / Prompt
中文提示词
[参考生成] 15秒、16:9、真人写实、男友第一人称眼睛视角，一镜到底。<Subject 1>来自<Picture 1>，始终保留同一成年女性的脸、肤色、深色眼睛及深棕色长发；参考图片只用于身份与明确可见的衣着，不是本片开场帧。自然表演与真实物理，普通话对白按下述原句发声，不出现字幕或文字。 室内15秒，男友坐低椅，眼高约一米，从略低位置看两步外女方；她保持参考椭圆脸、白皙皮肤、深色眼睛及中分深棕长发，穿日常服装。宽大的独立落地肖像画框朝男友，外侧宽脚稳立；中间只有空洞、无画布玻璃，开口宽过她肩、高到成人能走过，底边只是贴地的细低条。框前男友一侧与右边均有通道；镜头同框看清她完整脸、开口和低条，不拍男友膝盖。首帧她双脚都在底条后，双手叠于腰前、肩平稳、视线略越过男友，故意像静止肖像，不先走动。她保持姿态问「要画，还是要人？」男友从坐姿答「要人。」听到选择后她才松开双手，直视他，自行一步跨过真实的低底条，连续穿过画框中间空洞，不穿过木边；两脚落在男友一侧，画框始终站稳。她再向画面右侧小移一步，让整个洞口真正变空，舒适距离处回头看他，作为真实的人而非静态肖像。结尾同一坐姿略仰视，她的脸与空框洞口同框；无切镜造成凭空消失。室内声、两句对白、跨低条与侧移脚步；无旁白、字幕或超自然变身声效。 仅指定人物和物件出现，动作因果与位置连续；男友的脸和身体不入画，只在需要时出现指定的手或鞋。环境声及对白与实际动作同步，无旁白、笑声罐头或额外音乐。
English prompt
subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Preserve her recognizable oval face, fair skin, dark eyes and long center-parted dark-brown hair. Her everyday clothes, open portrait frame, stable outer feet and interior room are new episode elements. <Picture 1> supplies her identity, not an existing portrait or scene. summary: [reference generation] A continuous 15-second, 16:9 live-action story from her seated adult boyfriend's eyes. <Subject 1> holds an intentionally still portrait pose behind a large empty standing frame. Asked to choose between the picture and the person, he chooses her. She releases the pose, crosses through the actual open frame to his side, then shifts aside so the aperture is visibly empty while she looks back at him. retention_analysis: <Subject 1> (appears in [Shot 1]): fully_preserved - her facial identity and hair match the reference. The room, clothes and large freestanding empty frame are invented for this episode. detailed_description: mpov, first-person perspective pov video, low angle. One continuous 15-second 16:9 live-action view from my eyes while I remain seated on a low chair, eyes about one meter above the floor, looking slightly upward to <Subject 1> about two walking steps away. This is my eye position looking at her, never a separate camera in front of a couple. She begins entirely behind a broad freestanding portrait frame that faces me. The rigid frame stands on wide outer feet and stays put; its empty opening is wider than her shoulders and tall enough for an adult to step through. There is no picture, glass or canvas in the opening, and the bottom rail is a thin low strip against the floor. Clear landing space lies just in front of it on my side, with extra clear space to the right of its opening. My natural broad view sees her full face and the opening with its low rail; I do not need to look down at my own knees to establish the low viewpoint. [Shot 1] At the first frame <Subject 1>'s two feet are still behind the low rail. Her hands are folded before her waist, shoulders composed, gaze deliberately just past me: she is holding herself as a motionless portrait, not already walking out. Still in that pose, <Subject 1> (S1) asks, <d>[Chinese] 要画，还是要人？</d> I answer from my own seated position, me (S2), <d>[Chinese] 要人。</d> Only after hearing my choice does she unfold her hands, turn her eyes directly to mine and step forward herself. In one continuous visible passage she crosses the low bottom strip and comes through the empty center of the frame, never through its wooden side. Both feet land on my side while the frame remains standing behind her. She then takes one small step toward the right of my view, enough to clear the entire opening rather than still overlap it. She stops there at a comfortable distance, not pressing up to the lens, and looks back at me as a present person instead of holding the old portrait pose. End in the same gently upward seated eye line with her readable face beside a genuinely empty frame opening; do not cut from a person behind the frame to an unexplained already-empty frame. My viewpoint stays seated throughout; none of my face, torso or large knees enters the image, and there is no outside reverse shot. overall_soundscape: Quiet indoor ambience, her short Mandarin question, my nearby seated answer, one natural step over the low rail and a second small side step. No narration, captions, sound effect or music claiming a supernatural transformation. non_diegetic_music: N/A
主题与风格
探索更多图片和视频提示词 · 生成图片 · 生成视频 · 在 AI 画布中创作
相关作品
- 翼装穿越高山峡谷
制作一段写实、惊险刺激的15秒镜头，采用一个不中断的实体摄影机长镜头。跟随一名翼装飞行者，身穿焦橙色翼装（内侧为炭灰色）、戴深色头盔并背着小型降落伞包，沿着连贯的高山地形持续向下飞行。保持飞行者的身份、服装和身材比例一致；气流将翼装撑紧，飞行者通过轻微调整肩部和髋部控制滑翔。不要拍出拍翼或动力飞行的效果。 从飞行者后方偏右开始，场景位于阳光照耀的花岗岩山脊，地面有稀疏草丛和残雪。摄影机向前猛冲，从右侧超越飞行者，并平稳摇摄以持续跟住对方；一处花岗岩边缘从前景飞掠而过。飞行者向左倾斜并下降，进入宽阔、笼罩在蓝灰阴影中的峡谷。沿同一条下行路线继续飞行，让近处岩石快速掠过、远处地形相对缓慢移动。
- 白背景木凳上的极简肖像
生成一段20秒、9:16竖屏的极简主义影棚肖像视频。使用所提供的身份参考图匹配成年女性的面部外观与身份。她平静地坐在一张简洁的天然木凳上，背景为无缝纯白，身穿中性色调的低调极简服装。采用干净居中的全身至三分之四身构图，保留充足留白，使用柔和漫射影棚光线，呈现细微自然呼吸和几乎不可察觉的优雅姿态变化。木凳与人物保持清晰，带有柔和真实的阴影和精致的编辑感静态摄影美学。使用固定机位并进行几乎不可察觉的缓慢推进，不要剪辑、文字、标志、道具或音频。
- 尼罗河暮色一镜到底
15秒、16:9的电影感真人一镜到底，背景为1700年的埃及。开场位于昏暗浑浊的尼罗河水下，琥珀色光束在水面下闪烁。0–2秒，镜头平滑上升穿过闪耀水体并破水而出，来到几名穿着完整时代长袍的成年渔民旁，他们在小木船上撒网。2–6秒，镜头加速贴近一艘传统三角帆船低位跟拍，展现米白色帆、木船体、船桨和在平静河面上作业的渔民。6–10秒，镜头近距离绕帆船环绕，帆布与索具掠过画面，暖阳在水面闪耀。10–15秒，镜头升高并后拉，广角俯瞰尼罗河、棕榈树河岸以及金色夕阳下拥有圆顶和细长宣礼塔的古老开罗天际线。保持连续流畅的摄影机运动、真实的水面和布料动态、暖赭色调、丰富空气透视与时代细节；无剪辑、无现代物件、
- 秋千上的睡衣机器人
创作一个20秒、16:9的电影感场景：两只小巧、闪亮、惹人喜爱的机器人穿着色彩鲜艳的睡衣，一起在秋千上轻轻荡着。它们身后是一座古老、破败的哥特式房屋，背景中燃着火焰。整体呈现写实、阴郁且富有氛围感的风格，采用戏剧性的透视，并表现体积光与烟雾。始终清晰呈现两只机器人和秋千；镜头运动克制而平稳，细节风格统一。不出现文字、标志或其他角色。
- 月下雨后停机坪
创作一幅超写实3D插画：一艘单人驾驶的攻击型战斗飞船停在露天停机坪上。飞船是一架气势逼人的武装舰，金属外壳明显老旧且布满划痕。停机坪为潮湿混凝土地面，映出飞船与周围光线；背景中清晰可见月亮。电影感科幻概念艺术，细致呈现风化表面、真实光照与倒影。20秒，16:9。
- 紫晶洞湖探秘
制作一段20秒、16:9的超高清自然纪录片场景，探索一座宏大的地下湖及其所在的巨大洞穴。展现高耸的紫水晶与黄水晶从洞壁中生长而出，环绕着平静的湖水。镜头从昏暗的洞穴入口缓慢、沉浸式地掠过倒映着晶体的湖面，朝发光的晶体群推进。突出晶体浓郁的紫色与金色、精细的晶面和宏伟尺度，并呈现水面上的微妙倒影与洞穴中的朦胧氛围。采用自然写实的纪录片摄影、逼真的材质和戏剧化但可信的光线，营造令人敬畏而沉静的情绪。不要出现人物、文字、标志或旁白。